Album
This Mirror Weighs a Ton
2026Alternative · Music
New York’s most dapper post-punkers try on some new looks.
Tracks
- 15:12
- 24:56
- 34:10
- 44:11
- 54:15
- 64:53
- 74:16
- 83:23
- 94:05
- 104:37
- 115:48
- 123:41
About this album
While indie-sleaze Instagram accounts and Just Like Heaven festival lineups allow millennial music fans to easily revisit the mid-2000s, post-Y2K post-punkers Interpol refuse to look back. Sure, certain aspects of the group’s sound—Paul Banks’ stern yet sensitive voice, Daniel Kessler’s dark yet dreamy guitar lines, and that ever-present nocturnal NYC atmosphere—have remained undisturbed by the passage of time.
But on their eighth album, This Mirror Weighs a Ton, those sturdy sonic signatures serve as the anchors that allow Interpol to further stretch their aesthetic while still holding onto their essential doomed-romantic identity, be it through the smoky trip-hop of the title track “This Mirror Weighs a Ton,” the reggae-tinged grooves of “Wounded Soldier,” the sound-collage piano balladry of “Sudden,” and the prickly disco gallop of “Wake Up,” which is closer to an early-2000s dance-punk track than anything Interpol actually recorded in that era.
That said, if you’re still pining for the Interpol of old, the wiry rocker (and rare Banks/Kessler vocal duet) “See Out Loud” provides the necessary adrenaline shot to get your slow hands clapping more vigorously.
Our Favourite Track: On an album rife with intriguing stylistic detours, the bossa nova Paul Banks of “So Rides the Reindeer” just might be the most alluring.