Playlist
Indo-Jazz Essentials
Apple Music Jazz
Tracks: 50378:13
Traditions from worlds apart find common cause.
Updated Dec 23, 2025
Tracks 50
- 1Sangam9:04
- 2Cloud Dance8:36
- 3Calm Ambient Jazz4:03
- 4Of Agency and Abstraction4:35
- 5Shakti with John McLaughlin18:12
- 6Wisdom Through Music5:43
- 7Beches Brew BIG7:07
- 8Neel Murgai Ensemble11:25
- 9Works8:48
- 10Kinsmen (feat. Kadri Gopalnath, A. Kanyakumari, Rez Abbasi, Carlo De Rosa, Poovalur Sriji & Royal Hartigan)12:50
- 11More Arriving9:19
- 12Saagara (feat. Waclaw Zimpel, Giridhar Udupa, Mysore Nagaraj Karthik, Bharghava Halambi & K. Raja)5:38
- 13Life15:26
- 14A Circle Has No Beginning6:25
- 15Jazz Raga3:30
- 16Northern Namaste5:29
- 17Tony Scott5:06
- 18Cosmic Hug5:45
- 19The Melody of Rhythm6:10
- 20Indo Jazz Suite8:39
- 21Music / Sangam7:13
- 22Bitter Funeral Beer Band: Live in Frankfurt 828:58
- 23Song for Everyone7:48
- 24Timshel3:12
- 25In This Life5:10
- 26Tirtha11:07
- 27Works6:13
- 28Vanguard Visionaries: Oregon5:58
- 29The Enja Heritage Collection: Father Time5:10
- 30Hollow Bamboo8:04
- 31Cloud Dance5:49
- 32Jazz Meets India14:32
- 33The Indian Core7:47
- 34Meet Me Anywhere9:15
- 35Mango Festival9:24
- 36Is That So?7:08
- 37Journey in Satchidananda6:36
- 38Lloyd Miller & The Heliocentrics3:22
- 39Volume 2: Summer Snow9:22
- 40J Bhai - Single8:18
- 41Ivory Ganesh Meets Doctor Drums18:40
- 42Organic Music Society2:19
- 43Music For Yoga And Meditation3:15
- 44In Search of Garaj Mahal7:00
- 45Arcana: The Indo-jazz Sessions5:33
- 46Mirror3:05
- 47Vision6:36
- 48Miles from India11:36
- 49A Handful of Beauty (With John McLaughlin)3:00
- 50Actions4:30
About this playlist
The marriage of jazz and Indian music makes plenty of sense: both traditions rely heavily upon improvisation. Modal jazz of the ‘50s featured extended solos in a setting akin to the melodic modes of Indian classical music. Some of the earliest blends of the two traditions in the ‘60s came from jazz musicians—such as John Coltrane—who either applied ornamental qualities from the subcontinent’s music or embraced its spiritual qualities; over time, parallel studies yielded more substantive fusions. Practitioners like John McLaughlin began to incorporate instruments from India or to use traditional ragas as compositional forms, forging a vessel for beguiling two-way exchanges.